FACULTY OF ARTS

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    Using crime control mechanisms in yoruba traditional society as a template for redressing security challenges in Nigeria
    (2021) Oke, O. P.
    Crime and its attendant fatalities has become a burning issue in Nigeria in recent times. It is a phenomenon that is bedeviling the nation and steps taken by government to prevent it seem inadequate as it continues to spread like a dry season fire. Existing studies on crime and its control have focused mainly on the use of modern methods which are at variance with the cultures of the various societies, while little attention is also paid to the crime control mechanisms of the traditional Yoruba society. The inability of government to tackle the menace of crime has led to palpable fears among the people as security of lives and property is perpetually threatened. This has impacted negatively on the country that is striving to be among the developed nations in the world. A qualitative method of research was adopted for this brief study. The paper argues that crime that has become the order of the day in Nigeria, came as a result of inter alia unemployment, poverty, selfishness and greed. This paper proffers a solution by proposing the use of traditional Yoruba crime control mechanisms with the modern one, side by side, to fight crime in Nigeria in order to foster the rapid economic and social development that everybody is longing for.
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    Sex, crime and urbanism as motifs of violence in selected thriller fictions of Leye Adenle
    (2023-12) Akinsete, C. T.; Etiwe, J. D.
    Leye Adenle’s thriller fictions, Easy Motion Tourist and When Trouble Sleeps, complement Nigeria’s creative writing landscape with recourse to distinct issues in contemporary Nigerian society, which serve as setting in the two novels. Against the backdrop of a rising spate of creative writing in Nigeria, attention is therefore paid to these literary specimens in relation to how the issues of sex and crime underscore the motif of violence. This study therefore investigated the tropes of sex, crime and urbanism as motifs of violence in Adenle’s popular fiction. The selected texts foregrounded the writer’s sense of creativity and imaginative prowess in establish-ing the connection between creative writing and society. Having underscored the rising tempo of Nigerian Thriller fiction in relation to critical issues raised in the texts, this research further established the relationship between literature and the society. Using Aspect of Cultural Studies theory, this study through these texts revealed critical reflections of the Nigerian society in contemporary times through critical investigation of salient thematic preoccupations connected to the notions of sex, crime and urbanism as catalyst which led to streams of violence in the novels. Further findings articulate a critical exploration of inherent literary tropes in the selected thriller texts, which pontificates towards popular fiction as a thriving genre in the Nigerian literary space.