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Item A re-evaluation of the theme of fate in Sophocles' Oedipus Rex and Ola Rotimi's the Gods are not to blame(Faculty of Arts, University of Ibadan, 2020) Adebowale, B. A.Intertextuality presupposes the linkage of subjects, ideas and themes between and among texts. Although numerous scholars have carried out intertextual readings into various texts, only a few have delved principally into cosmological connectives within texts from the cultural perspective of fatalism. The universality of the theme of fatalism and its rootedness in virtually every religion around the world necessitates this work. This study, therefore, investigates the textual hybridisation and thematisation of apparently contrasting worldviews (Greek and Yoruba) in order to improve the body of existing intertextual literature on fatalism. This study is anchored on the philosophical concept of determinism. Two texts were purposively selected- Sophocles' Oedipus Rex (OR), a classical play, and Ola Rotimi's The Gods are not to Blame (TGB), a contemporary play, for contextual and intertextual study. The study finds that TGB shares more than superficial semblance with OR though textual variations exist between both. TGB is considered a perfect hybrid that thematically draws parallels from OR, foregrounding the integral and unique religio-cultural affinity that exists between the Yoruba people of Western Nigeria and the Greek of the Classical era. Fatalism, being a fundamental aspect of the ancient Greek cosmology, was often thematised in Classical Greek writings as reflected in the text, OR. The study then concludes that the Yoruba people, like the ancient Greek, acknowledge the important role of fate as determinism in human life and as a reality beyond the control of the individualItem The Devil’: Hermes and Èṣù in ancient Greek and Yoruba traditional religions(2016) Adebowale, B. A.The history of human society reveals that belief in divinity or divinities has been an integral part of human life. Human beings have an inborn desire to identify with a supreme being or supernatural beings. However, religious beliefs differ from one society to another. Christianity and other monotheistic religions are startling different from other traditional religions. Notably, Èsù is the name given to Devil or Satan in the Yoruba translation of the Bible, Yoruba traditional religions, however, do not portray Èsù as the personal embodiment UÙof evil as reflected in the Yoruba translation of the Bible, but rather as a benevolent deity and one of the functionaries of Olódùmarè. Èsù is the Yoruba counterpart of the Greek god, Hermes, who holds a unique position in Greek religion. Hermes, like his Yoruba counterpart, is a god who wears many masks; he is the herald of the gods, a trickster and the guide that leads the dead soul into Hades as psychopompos- soul guide. Hermes and Èsù exhibit the highest number of similar traits in the pantheons of the ancient Greek and Yoruba gods. This paper examines the positions and attributes of Hermes and Èsù in the ancient Greek and Yoruba traditional religions in comparison with Biblical perceptions of Satan the Devil