Scholarly works
Permanent URI for this collectionhttps://repository.ui.edu.ng/handle/123456789/303
Browse
80 results
Search Results
Item Behind the curtains. A collection of feminist poems and others(Ibadan University Press, Publishing House, University of Ibadan, Ibadan, 2020) Olayinka, E. B.Item Morphing restrictive gender roles into performative gender roles in Chimamanda Ngozi Adichie’s hibiscus pourpre(Department of Religious Studies, University of Ibadan, Ibadan, Nigeria., 2021-06) Olayinka, E. B.Through feminist literature and other forms of feminist endeavours to institutionalise gender equality, the notion of biology is destiny as identified by the social and natural sciences has come under the attack of feminists. Debunking the stereotyping of women and assignation and restriction of specific gender roles to specific sex whereby certain roles are christened as women’s roles and certain others as men’s roles is part of this feminist project. In Hibiscus Poupre, Chimamanda Adichie weaves in the flexibility of roles to engage with the theme of gender roles and performativity. From what she demonstrates, the fixity of gender roles through decades of cultural construction can be deconstructed and reconstructed to foster harmony among the genders. Womanism as a theory that focuses on complementarity of gender roles is used to interrogate and x-ray the subtle ways in which the author downplays gender role stereotyping and brings to the fore the pivotal roles of African Women using Igbo ethos construct as model. Under the pretext of being a practising Catholic, Eugene, Tatie Ifeoma’s biological brother, neglects the care of his aged father whom he accuses of idolatry. He thus jettisons the traditional roles expected of a male child in Igbo society. The female, Tatie Ifeoma is seen laden with the responsibilities that the male child fails to carry out traditionally. Within her household, chores are shared between male and female children without pigeonholing of roles. Every member of the family diligently carries out their responsibilities without reference to whether a particular chore is meant for female or male. This is seen to be one of the core factors for harmony in Tatie Ifeoma’s household where the latter, a widow and poorly paid faculty at the University of Nsukka, plays the family head. In conclusion, emphasises that gender performativity is not typecast. The author demonstrates how Western religion is used to obliterate and suppress traditional African religions and their practitioners. Gender role iteration is also allowed in reversed order to deconstruct conventional tradition of allocating roles based on gender.Item Traumatisme postcolonial et activation des mecanismes de defense pour la survie dans La prisonniere de Malika Oufkir(Une publication de, L'Association Nigeriane des Enseignants universitaires de français (ANEUF), 2021-10) Olayinka, E. B.Le traumatisme, un concept preponderant dans le domaine psychanalytique, est un theme recurrent dans Vecriture d'incarceration. Les ecrivains africains mettent en evidence le traumatisme auquel les victimes d'incarceration sont susceptibles. Dans les dijferents concepts de la psychanalyse, les mecanismes defensifs aident les victimes de s situations menagantes a attenuer les tensions qui en resultent. Cette communication s'interroge sur la capacite des Oufkir a s'outiller des mecanismes de defense dans La Prisonniere ou Vauteur, Malika Oufkir, narre passionnement le traumatisme subi par sa famille aux mains du pouvoir monarchique suite a Vattentat echoue mene par son pere, le feu General Oufkir. A Vaide de la theorie du traumatisme et le concept de mecanisme de defense, Vetude cherche a dissequer revocation litteraire des experiences traumatiques des personnages incarceres et la possibilite de mener une vie equilibree apres leurs trajectoires dans les goulags grace a Vapplication des mecanismes defensifs appropries. Pretant sa voix a la denonciation des malaises socio-politiques et economiques issus d'un despotisme qui regne en Afrique du Nord postcoloniale, le roman etablit I'afjmite de la maltraitance des individus qui se reunissent contre les regimes dictatoriaux par tout en Afrique. Dans la tentative de mettre a la lumiere des projecteurs sur Vautobiographie passionnante de cette auteure peu connue au sud du Sahara, il sort aux yeux que Voeuvre contient un vrai tableau des memoires de prison des Oufkir condamnes aux prisons de 1972 a 1991.Item Emerging trends in gender war and intimate partner violence(Department of French, Ekiti State University, Ado-Ekiti, Ekiti State, Nigeria, 2019-11) Olayinka, E. B.African feminist literary texts most often document that patterns of intimate partner violence are as a result of socio-culturally imposed structuration in the hierarchy of the sexes, due to cultural determinisms. Hence, it is in most cases assumed that only, women are victims of intimate male partner violence. There are growing concerns that men may just be as well victims of intimate female perpetrated violence. This research investigates roles of female body and sexuality in perpetrating violence against men for the purpose of subverting masculine power in two selected plays from Isaie Biton Koulibaly's anthology, Encore les femmes ... toujours les femmes! The concept of bodiliness is used to investigate the amount of power the female body is able to deploy in quest for female emancipation. The research finds that radical females in the selected short stories deploy powers resident in the body and non-normative sexuality practices to script a new trend of shift in the occurrence and performance of gender violence in intimate relationships. The subversion of hegemony and relegation of male characters is contingent upon the resoluteness of the female characters to use their bodies and sexuality as weapons to undo prescribed gender norms..Item Bodies that matter: Calixthe Beyala’s female bodies and strategies of hegemonic subversion(UCLA Graduate Students Association Publications, 2018) Olayinka, E. B.Without challenging hegemony, liberal Francophone African feminists unearth aspects of patriarchal African cultural practices that objectify women. In contrast, radical Francophone African feminists call for drastic change to these practices through reappropriating the female body as a way to liberate African women from patriarchal oppression. They challenge the patriarchal order by opposing gender roles and stereotypes and by taking a decisive stand for total female liberation. They call for a radical reordering of patriarchal societies through the annulment of binary oppositions that classify women as “other.” In this article, I follow Judith Butler’s lead in Bodies That Matter: On the Discursive Limits of Sexl and explore Calixthe Beyala’s commitment to African women’s liberation from oppression. Beyala’s approach presents auto-eroticism, homicide, infanticide, refusal of marriage, bodily and psychical dis-eroticization, and physical transformation of female bodies as strategies to secure women’s freedom.Item Les idiomes/parlers jeunes comme marqueur d’epoque et d’identite collective(University of Oran 2 Mohamed Ben Ahmed Publisher, 2017-08) Olayinka, E. B.; Ayeleru, B.Item Quand la vie provient du fracas: une etude psychanalytique des protagonistes enfantins de quand les etoiles deviennent noires de Rebecca Ayoko et et I’aube se leva de fatou keita(Department of French, Ekiti State University, Ado-Ekiti, 2017-10) Olayinka, E. B.; Adesuyan, B. I.Cette communication entreprend la juxtaposition de la vie d ’line auteure vis-a-vis celle d’un personnage fictif pour etablir le fait que les vecus enfantins repousses dans Vinconscient resurgent de temps en temps pour motiver lews actions au niveau conscienl. De mime, elle prouve, a travers les decouvertes suite a nos analyses, que les actions'humaines ne sont point fortuites, mats que celles-ci ne proviennent que des experiences receives dans Vinconscient humaifi. Ainsi, avons-nous sou mis Ouand les etoiles deviennent noires de Rebecca Ayoko et Et I'aube se leva de Fatou Keita a une analyse psychanalytique pour esqtiisser un franc lien entre les vecus enfantins et la metamorphose des personnages enfantins romanesques qui connaissent une vie fragmentaire psychologique. Aussi tournans-nous notre attention vers la psyche pour investiguer la tripartie interaction des trois compartiments de i 'appareil psyche humain - le Ca, le Moi, et le Surmoi, et de lew fonctionnement a travers des experiences du vioLqu 'out siibies les personnages investigues. La theorie psychanalytique de Sigmund Freud s'occupe principalement de l 'operation de I’inconscient constituant, selon lui, la partie integrants de la personnalite humaine. Bien siir que Freud pretend que '-Vinconscient est le psychisme lui-meihe, car pour lui, ce qui se figure dans la conscience n'esl qu 'une partie infinitesimale de l 'iceberg. De maniere systematique entee dans la theorie psychanalytique, cette communication a pu enteriner que. la capacite du Moi d’intervenir et de jouer son role de medialeur d’une faqon salubre aboutit a une bonne jin. D un, autre cote, l 'eckec du Moi a jouer ce role preponderant avec succes s 'avere souvent aleatoire a la smite mentale.Item Towards a militant future for African feminism: Mariama Ba’s Legacy in disguise(2017-07) Olayinka, E. B.; Ayobami, K.It is generally acknowledged that the path toed by African feminism is different from that of Western feminism. In most cases, African feminism is known for its collaborative and inclusive approach; it sees men as partners in progress in the struggle for emancipation of African women, whereas Western feminism is adjudged exclusionist in approach. This has given rise to the claim that the precursors of African feminism adopted a subtle/non-combatant strategy in seeking freedom from oppressive African patriarchal tradition for African women. Some of the texts by the avant-gardes, including Marie- Claire Matip’s Ngoda (1954), Therese Kuoh-Moukoury’s Rencontres essentielles (1969) and Aminata Mai'ga Ka’s La Voie du salut suivi de Le Miroir de la vie (1985), only depict deplorable women’s conditions in Black Africa without actually suggesting the way out of the woods. Some, such as Evelyne Mpoudi-Ngo lie’s Sous la cendre le feu (1990) and Buchi Emecheta’s Joys of Motherhood (2005) on the other hand, have been remarked for the compromising ways in which they have suggested emancipation for African women. While Mariama Ba’s So Long a Letter and Scarlet Song can be classified into the latter category, it is expedient to comment that the writer indirectly predicted the militant future directions of African Feminism. This futuristic tendency is foregrounded in Scarlet Song where she creates an Aristocratic French White woman, Mireille, nurtured and educated in Africa, but in defence of womanhood resorts into violence and murder to break the shackles of intransigent African traditions and set herself free from the psychological burdens inherent in the customs. Some literatures on theories of violence trace the genesis of women’s violence to victimisation in intimate relationships. Such theories help to locate Mireille’s succumb to violence and murder to her victimisation in her multiracial marriage. Although Mireille is non-African by birth, Mariama Ba creates this character to pave the way and act as ombudsman to teach the timid African woman the fact that violence must beget violence if the latter aspires to be absolutely free from hegemonic oppression. This is artistic creation partially borrows from the Western Feminist world to advocate militancy and violence which new generation of African feminists in the likes of Ken Bugul, Calixthe Beyala, Fatou Keita, and Lola Shoneyin currently demonstrate in their feminist discourse.Item Corps feminin, corps saccage, corps mutile: la vie sans fard de la femme opprimee dans Je suis nee au harem de Choga Regina Egbeme(Faculty of Arts, University of Ibadan, Ibadan, Nigeria, 2016) Olayinka, E. B.La theorie de la chosification du corps feminin souligne la problematique de la subjugation de la femme. Ce phenomene occasionne une violence virulente faite a la femme par l'homme, reduisant celle-la a son corps sans egards pour sa personnalite et son integrite. Depuis des decades, les feministes s'opposent a ce defi qui tente de faire de la femme un objet de desir sexuel et de re/production. Je suis nee au harem de Choga Regina Egbeme met en relief les degats atroces que cause l'homme a la femme et releve le principe de l'oppression de la femme au sein d'une societe notoirement hegemonique. Le vecu des femmes et des filles de papa David est un echantillon de temoignage de beaucoup de femmes Africaines tout au long de l'ceuvre. Suite a son mariage force a un homme carrement agressif, violee par lui, et consequemment atteinte par le VIH/SIDA ainsi que le bebe issu de ce viol, Choga, la protagoniste eponyme du roman, fuit clandestinement le 'foyer-prison' ou elle vit avec ses coepouses afm d'aider les enfants et les femmes victimes de ce fleau. Cet article qui s'appuie sur un roman purement autobiographique denonce avec amertume l'assujettissement de la femme africaine prise dans.un engrenage d'ethos, de maladies, voire de traditions epineuses. En depit des annees.de campagnes anti- hegemoniques que mene le feminisme pour la revalorisation du corps feminin, on constate que le corps feminin demeure un site de politique du coup de force patriarcal.Item Narrating juvenile mental disorders in Calixthe Beyala’s selected novels(School of Human Sciences, Polytechnic of Namibia, 2014-12) Olayinka, E. B.Critics of Calixthe Beyala’s feminist discourse have located her narratives within the walls of radical feminism. For instance, her feminist language is often labelled with linguistic violence. Beyala’s outcry against oppression is Voiced through adolescent girls who she refers to as femme-fillette and whose gloomy world is characterised by parental violence. The social and psychological degradation of the children Beyala presents in her novels are instances of immeasurable misery impregnated with aggression of adults towards children. Through these same children, Beyala impugns various forms of disintegration eating into postcolonial Africa. Introducing a psychological paradigm into the readings and interpretations of Beyala’s radical feminist works using Freudian psychoanalytic approach to literary criticism and Nietsche’s theory of resentment clearly shows that Beyala is a feminist author whose anger is directed towards male hegemony, and it forms the avenue through which she aptly portrays that young girls living under oppression decline into psychological wrecks.