Journals
Permanent URI for this collectionhttps://repository.ui.edu.ng/handle/123456789/304
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Item ساي ونيامي" لأستاذ الدكتور مشهود محمود محمد جمبا نموذجا الظواهر السردية والحوارية في أدب الرحلة النيجيرية :" إفادة الأنام بأخبار الرحلة إلى Narrative and dialogic phenomena in Nigerian travelog literature: “Ifadat al-anam bi Akhbar al-Rihlah ila sai wa Niamey” by Professor Mashood Mahmood Muhammad Jimba as a paradigm(2024) Adetunji, I. أديتنجي ، عزالدينItem الصور البلاغية في مقامات الإلوري Rhetorical devices in al-Ilori’s maqamat(2024) Adetunji, I. أديتنجي ، عزالدينDespite the great impression of the Arabs and Non-Arabs writers to the art of Maqamat genre, invented by Badi’I Zaman Al-Hamadhani in the fourth century A.H., which gained a wide recognition in both Arabo-Islamic communities. The quantum values and importance added by this literary genre in to the Arabs’ literary heritage has made unique literary creative genre, which changes the status of Arabic prose writing, formulated in the form of funny stories, chosen a narrator named ‘Isa bn Hisham, and a vibrant Hero known: Abu -1- Fatih al-Iskandari. This unique style was later emulated by many Arabs’ writers by producing their own Maqamat, such as; Abu-L-Qazeem Muhammad Al- Hariri (d. 516 A.H), Zamakhshari (D.538 A.H.) Suyyuti (d. 1505 C.E). In the twenty-first century, the great gestures of Africa Arabic scholars in general, and Nigeria in particular, with this literary creativity is very impressive and applausive , with the production of different Maqamat, followed the styles of Badi’ Zaman al Hamadhani, Abu -1-Qasim al- Hariri and etc., amongst are: Dr. Abdul Bari Adetunji in his Maqamat titled : Kaswatu-L-‘Ary fi-1- Maqamat Abdul Bari, Mas’ud Abdul Ganiy Adebayo Al-Oyowiy, in his Maqamat, titled: Maqamat-1- Oyowy, Muhammad Awwal Abdul Salam popularly known as Sahibul -Qur’an Al-Ilory in his Maqamat, titled : Maqamat -Ilory, and Ahmad Tijani Yusuf Ajegunle popularly known as Riku-1 -Asifiyah in his Maqamat, titled : Maqamat Ibn Yusuf and etc. Despite the multiplicity of the studies contained in Al-Ilory’s Maqamat, the rhetorical features have not been studied, which has created a gap to fill by the researcher. Therefore, this research aims to study the rhetorical features in the Al-Ilory’s Maqamat. But, before delving in to the main discussion, the concept of Maqamat, its characteristics and elements would be discussed. Then a historical background of the author of Al-Ilory’s Maqamat would also be discussed.Item دور المسرحية العربية النيجيرية في مراقبة السياسة المالية في نيجيريا The Role of Nigerian arabic drama in monitoring financial policy in Nigeria(2024-06) Adetunji, I. أديتنجي ، عزالدينIt is no doubt that, the level of economic meltdown-cum- fluctuations faced by Nigerians today, arose as a result of the poor implementation and control of effective financial policy. Succinctly, the strenuous and overarching efforts of Nigerian scholars in supplementing government’s efforts by providing lasting solutions to this economic menace through the production of literary works addressing socio-economic challenges in Nigeria are in vain. Therefore, this paper aimed to explore the role of Arabic drama in contributing to financial policy in Nigeria. The paper discussed the concept and rationale for Arabic drama in Arabic literature. Likewise, the genesis and development of Arabic drama in Nigeria were examined. Also, the concept of financial policy, its objectives and development were discussed. The role of financial policy in the development of economic activities in the country was also illustrated. Negative effects of non-implementation of good financial policy in the development of Nigeria economy was enumerated through the selected Nigeria Arabic drama texts understudy.Item ظاهرة الرثاء المدني في الأدب العربي النيجيري The phenomenon of rithau-madany: civil elegy in Nigerian arabic literature(Department of French, College of Humanit1es & Culture (Ikire Campus), Osun State University, Osogbo, 2020-06) Adetunji, I. أديتنجي ، عزالدينPerhaps, the nature of the political fluctuations that swept over Abbasid era which led to destruction and devastation of the cities has led to the emergence of the literary genre known as Rilhau-l-Madani”.i.e Civil Elegy in Arabic literature. Some scholars have given this genre of poetry other names like; poetry of calamities and disasters, sad poetry, as well as national poetry. This type of poetry is different from the well-known elegiac poetry of the pre-Islamic era. Elegy as one of the most basic themes of pre-Islamic poetry featured wailing about the dead, or the sound of speech coming out while weeping over the loss of the dead The pre-Islamic poets lamented the loss of their loved ones in wars, by mentioning their sterling qualities, attributes and high places with warm weeping over them, urging the tribe to take revenge, as it was recorded down between Al- Khansa in the threndy on her brother Sakhir and others. However, the civil elegy is a nascent of Abbasid era, even if its activities, characteristics and features have not developed as an independent literary genre till Andalusian era, which was occasioned by the nature of the political crises between the Christians and the Muslims. Civil elegy also has to do with lamentation that accompanied the fall of Islamic cities, the setbacks and defeats suffered by the Muslims in those countries, which led to vandalism, destruction, murder, expulsion and others. It is noteworthy to state succinctly that Nigeria is an Arabized Islamic country, whose people have been taking refuge in Arab and Islamic cultures for a long time, and they have succeeded in composing the verses and producing anthologies. Despite their linguistic affinities, familiarities, and intellectual prowess with Arabic poetry, themes and its branches of knowledge, the phenomenon of civil elegiac poetry has not featured in their poetry till twentieth and twenty-first centuries due to political unrest and religious extremism that led to the destruction, devastation, murder, destruction and expulsion of Nigerian citizens from their homes. Therefore, this research aims to study the phenomenon and trend of civil elegy in Nigerian Arabic poetry. Before delving into the point of discussion, the research will examine the concept of elegy and its characteristics throughout the Arab literary eras. Also, it will discuss the principles of civil elegy in the Arab literary heritage, its importance, characteristics, factors of its spread and its examples would be discussed. Likewise, the paper would explain the Position of civil elegiac poetry in Nigerian Arabic Poetry.