MADḤ genre in Africa: an Incursion into Ibn nafi’s supplicatory panegyrics to his sufi mentor, Shaykh Salahudeen Pelewura

dc.contributor.authorAmeen, I. L.
dc.date.accessioned2025-07-02T14:52:10Z
dc.date.issued2018-04
dc.description.abstractThis article explores the place of madḥ amidst other traditional Arabic poetic themes in Africa with particular reference to Ibn Nafi‘ panegyric ode on his sūfi mentor. It analyses the salient poetic features of supplicatory panegyric in Nigeria and the extent of its patronage by Yoruba ‘Ulamā. The study proceeds to chronicle the genesis of the fraternity between the poet and his patron. Analysing the structural pattern adopted for the composition, the author discovers that the poem is triggered not only by spiritual impulse but also betrothal connection between the author and his patron.
dc.identifier.issn1857-7881
dc.identifier.issn1857-7431
dc.identifier.otherEuropean Scientific Journal 14(11), pp. 96-102
dc.identifier.otherui_art_ameen_madh_2018
dc.identifier.otherDoi: 10.19044/esj.2018.v14n11p96
dc.identifier.urihttps://repository.ui.edu.ng/handle/123456789/10977
dc.language.isoen
dc.titleMADḤ genre in Africa: an Incursion into Ibn nafi’s supplicatory panegyrics to his sufi mentor, Shaykh Salahudeen Pelewura
dc.typeArticle

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