Scholarly works

Permanent URI for this collectionhttps://repository.ui.edu.ng/handle/123456789/446

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Author: search.filters.author.Akangbe, C. A.End date: 2021

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Now showing 1 - 10 of 30
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    The role of the audience in oral performance
    (Palgrave Macmillan, 2021) Akangbe, C. A.
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    Non-verbal communication
    (Pan-African University Press, 2017) Akangbe, C. A.
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    Agbeyewo awon iwe itan aroso Fagunwa gege bi alo
    (Egbe Onimo-Ede Yoruba (Yoruba Studies Association of Nigeria), 2016) Akangbe, C. A.
    Yoruba bo won ni "Ajanaku kojaa mo ri nnkan firi, bi a ba ri erin ka kuku so pe a ri erin", oloogbe Danieli Orowole Fagunwa (1903-1963) kuro ni opije laarin ohkpwe itan arose Yoruba. itan aroso marun-un ptoptp ni Fagunwa ko: Ogboju Ode Ninu Igbo Irunmale (Ogboju) 1938, Igbo Olodumare (igbo) 1949, ireke Onibudo (ireke) 1949, irinkerindo Ninu Igbo Elegbeje (irinkerindo) 1954 ati Adiitu Olodumare (Adiitu) 1961. Yato si awon wonyi, Fagunwa tun ni awon ise miran bi irinajo: Apa Kini (OUP 1963); itan Oloyin (OUP 1964); Fagunwa, Delano, I.O. ati awon yooku, Asayan itan (Nelson 1959); Fagunwa ati Lasebikan, OJo Asotan (Heinemann 1964); ti a te jade leyin iku re. Fagunwa ati L.J Lewis ni o jo ko Taiwo ati Kehinde iwe Kiini, (OUP 1948); Taiwo ati Kehinde iwe Keji (OUP 1950); Taiwo ati Kehinde iwe Keta (OUP 1950); ati Taiwo ati Kehinde iwe Kerin (OUP 1951). Awon iwe itan aroso maraarun ti Fagunwa kg ni yoo je wa logun ninu pepa yii nibi ti a o ti fi oju alo wo awon itan inu iwe naa. Abala merin otooto ni a pin pepa yii si. Ifaara ni o siwaju, Alo Yoruba, Tiori itatare- ise, Afiwe Ise Fagunwa ati Alo, ati Iyapa Ise Fagunwa si Alo ni o tele ara won. Agbalogbabp ni a fi kadii ijiroro wa.
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    Mythology in Yoruba drama: a study of Lere Paling films
    (Deocraft Communications, Accra North, Ghana, 2008) Akangbe, C. A.
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    Culture-change in Yoruba drama: a study of Lere Paimo films
    (Department of Broadcasting, Adebola Adegunwa School of Communication, Lagos State University, Nigeria, 2008-12) Akangbe, C. A.
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    The form and content of obasa’s weekly newspaper: the yoruba news
    (2020) Akangbe, C. A.
    The Yorùbá News, published d by Oḅ asa,́ co-pioneered journalism, nay publishing, in Yorùbá language in southwestern Nigeria. Based in Ibàdaǹ and published by I ̀lar̀ é ̣ Printers, The Yorùbá News, a bi-lingual serial in English and Yorùbá languages, remarkably had varying contents and wide circulation covering its locale,́ Ibàdaǹ significantly; the southern protectorate, particularly Yorùbá land appreciably; and the entire nation, Nigeria marginally. Published weekly, Oḅasa – the Editor and Proprietor – successfully edited The Yorùbá News for over two decades from 1924 – 1945 when he died. Adopting the Diffusion of Innovations theory, this study examines the form and content of the newspaper. The form examines the structure and layout of the newspaper while the content discusses and evaluates issues covered in the publication. The form of The Yorùbá News is discussed in the context of the print media as a periodical by taking technical cognizance of its physical features: format, design and layout, typography, columns, paper, size and production quality. Content-wise, the paper exhaustively describes the subject matters of The Yorùbá News by dwelling critically on the issues raised, examining in details and critiquing its recurrent subject matters notably: the news stories, editorials, cover, advertorials, news and notes, etc. The inter-dependence of form and content is also examined to bring to the fore the social, cultural, political, and economic values of the maiden Yorùbá Newspaper: The Yorùbá News.
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    Form and contents of yorùbá photoplay magazine: the yoruba photodrama example
    (Ibadan Cultural Studies Group, Ibadan, 2017) Akangbe, C. A.
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    Information attitude of book editors and productivity in the publishing firms in South-West, Nigeria
    (2020) Akangbe, C. A.; Igudia, O. E.
    The publishing industry is a vital index of a nation's development. It makes its contribution to national growth through its productivity, and a key agent of this productivity is the editor. The editor forms the nucleus of the publishing firm. He/she is the nerve of the publishing operations and is highly indispensable in the publishing processes. However, information is germane to editorial activities and as such he/she cannot perform optimally without having requisite information. This thus implies that editor must seek for information. Information-seeking entails requisite and appropriate disposition which is otherwise called attitude. The attitude of editors, the type as well as source of information are all important for editorial efficiency. It is these issues of information attitude of editors and their productivity that this study seeks to answer. Survey method was adopted for the study, structured questionnaire was the instrument employed for data collection while three research questions were formulated. The study population was 62 educational publishing firms in South-West Nigeria while the sample for the study was the 205 editorial staff of twenty randomly selected publishing houses which constituted 19.4 %. The data collected were analysed using Statistical Package for the Social Science (SPSS) version 21. Mean and standard deviation were determined for continuous variables while frequencies and percentages were carried out on categorical variables. The results were presented in tables and charts. The study recommended that editors should obtain information on production, explore the Internet and social media more effectively and strive for more editorial competence to attain higher productivity. Structured into seven parts; the paper is discussed under the following subheadings: introduction, literature review, theoretical framework, methodology, analysis and discussion, conclusion and recommendations.
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    A survey of audience reception of atọ́ka, a yorùbá photoplay magazine
    (2019) Akangbe, C. A.
    Atọ́ka is a Yorubá photodrama magazine produced in Lagos, Southwest Nigeria from 1967-1991. Published by West African Book Publishers (WABP) and printed by their sister company, Academy Press, Atọ́ ka was a bi-monthly magazine which, while it lasted, hit the stands fortnightly. Extensive works have been done on Yorubá drama by several scholars. While some looked at specific theater companies, some studied the selected plays of particular companies, and some others examined the production of certain organizations at a particular phase. Despite these myriad of works, some other production media, particularly the stage, celluloid film, and home video film, have gained the attention of researchers extensively but photoplay in particular, and radio, television, and the phonograph-disc have not been so lucky. Apart from some works (Ogúndeji 1981, Aróhunmọ́ lasẹ ̣ 1982, Adeó ye 1984, Bọ́láji ́ 1985, Adéléke 1995, and Akangbé 2014) that referred to and passed comments on Yorubá photoplay, no one has carried out a seminal study on the history, production, and content of Atọ́ka photoplay magazine. None of the aforementioned endeavors focused on the audience reception of Atọ́ka photoplay magazine. By implication, there are very scanty works on the photoplay genre and virtually none on audience reception of Yorubá photoplay magazine. It is this yawning gap that this study intends to fill by studying the peculiarities of the readers of Atọ́ka photoplay magazine. This paper is divided into nine parts, namely: Abstract, Introduction, Overview of Yorubá photoplay magazine, eception theory, Methodology, Data analysis, Discussion of findings, Conclusion, and Recommendations.