Journals
Permanent URI for this collectionhttps://repository.ui.edu.ng/handle/123456789/304
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Item ساي ونيامي" لأستاذ الدكتور مشهود محمود محمد جمبا نموذجا الظواهر السردية والحوارية في أدب الرحلة النيجيرية :" إفادة الأنام بأخبار الرحلة إلى Narrative and dialogic phenomena in Nigerian travelog literature: “Ifadat al-anam bi Akhbar al-Rihlah ila sai wa Niamey” by Professor Mashood Mahmood Muhammad Jimba as a paradigm(2024) Adetunji, I. أديتنجي ، عزالدينItem Despite the great impression of the Arabs and non-Arabs writers to the art of Maqamat genre, invented by Badi’I Zaman Al-Hamadhani in the fourth century A.H., which gained a wide recognition in both Arabo-Islamic communities. The quantum values and importance added by this literary genre in to the Arabs’ literary heritage has made unique literary creative genre, which changes the status of Arabic prose writing, formulated in the form of funny stories, chosen a narrator named ‘Isa bn Hisham, and a vibrant Hero known: Abu -1- Fatih al-Iskandari. This unique style was later emulated by many Arabs’ writers by producing their own Maqamat, such as; Abu-L-Qazeem Muhammad Al- Hariri (d. 516 A.H), Zamakhshari (D.538 A.H.) Suyyuti (d. 1505 C.E). In the twenty-first century, the great gestures of Africa Arabic scholars in general, and Nigeria in particular, with this literary creativity is very impressive and applausive , with the production of different Maqamat, followed the styles of Badi’ Zaman al Hamadhani, Abu -1-Qasim al- Hariri and etc., amongst are: Dr. Abdul Bari Adetunji in his Maqamat titled : Kaswatu-L-‘Ary fi-1- Maqamat Abdul Bari, Mas’ud Abdul Ganiy Adebayo Al-Oyowiy, in his Maqamat, titled: Maqamat-1- Oyowy, Muhammad Awwal Abdul Salam popularly known as Sahibul -Qur’an Al-Ilory in his Maqamat, titled : Maqamat -Ilory, and Ahmad Tijani Yusuf Ajegunle popularly known as Riku-1 -Asifiyah in his Maqamat, titled : Maqamat Ibn Yusuf and etc. Despite the multiplicity of the studies contained in Al-Ilory’s Maqamat, the rhetorical features have not been studied, which has created a gap to fill by the researcher. Therefore, this research aims to study the rhetorical features in the Al-Ilory’s Maqamat. But, before delving in to the main discussion, the concept of Maqamat, its characteristics and elements would be discussed. Then a historical background of the author of Al-Ilory’s Maqamat would also be discussed.(Nigerian Association of Teachers of Arabic & Islamic Studies (NATAIS) Lagos State Branch, 2025-01) Adetunji, I.Love, in Arabic term denotes hubb, iskiq, gariimah, wudd and hawaa. It semantically has more than thirty Arabic words denoting the same meaning.1 It has been a symbolic Interactive expression of feeling that has possessed quantum significance and values over the passage of time in both animate and inanimate beings. Extant research works on love poetry have been carried out by researchers on its quantum purposes and effects in the socio-cultural, anthropological physiological, psychological, religious and socio-linguistic and literary arena, in both Arabic and western literary works. However, there has been sparse attention on the exploration of the love theory and love poetry in Arabic Sufi literature, which has created the gaps to be filled by this research. Therefore, this paper aims to explore the love theory in the love poetry of Arabic Sufi literature, using Al- Shushturi Sufi’s Ecstasy as a paradigm. Before delving into the main discussion, the contrastive discourse between the concept of love theory and love poetry would be examined. Likewise, the concept of Sufism and ecstasy shall be discussed. Al- Shushturi’s biographical account and scholarship including the review and literary analysis of his Sufi’s poetries would be treated.Item الصور البلاغية في مقامات الإلوري Rhetorical devices in al-Ilori’s maqamat(2024) Adetunji, I. أديتنجي ، عزالدينDespite the great impression of the Arabs and Non-Arabs writers to the art of Maqamat genre, invented by Badi’I Zaman Al-Hamadhani in the fourth century A.H., which gained a wide recognition in both Arabo-Islamic communities. The quantum values and importance added by this literary genre in to the Arabs’ literary heritage has made unique literary creative genre, which changes the status of Arabic prose writing, formulated in the form of funny stories, chosen a narrator named ‘Isa bn Hisham, and a vibrant Hero known: Abu -1- Fatih al-Iskandari. This unique style was later emulated by many Arabs’ writers by producing their own Maqamat, such as; Abu-L-Qazeem Muhammad Al- Hariri (d. 516 A.H), Zamakhshari (D.538 A.H.) Suyyuti (d. 1505 C.E). In the twenty-first century, the great gestures of Africa Arabic scholars in general, and Nigeria in particular, with this literary creativity is very impressive and applausive , with the production of different Maqamat, followed the styles of Badi’ Zaman al Hamadhani, Abu -1-Qasim al- Hariri and etc., amongst are: Dr. Abdul Bari Adetunji in his Maqamat titled : Kaswatu-L-‘Ary fi-1- Maqamat Abdul Bari, Mas’ud Abdul Ganiy Adebayo Al-Oyowiy, in his Maqamat, titled: Maqamat-1- Oyowy, Muhammad Awwal Abdul Salam popularly known as Sahibul -Qur’an Al-Ilory in his Maqamat, titled : Maqamat -Ilory, and Ahmad Tijani Yusuf Ajegunle popularly known as Riku-1 -Asifiyah in his Maqamat, titled : Maqamat Ibn Yusuf and etc. Despite the multiplicity of the studies contained in Al-Ilory’s Maqamat, the rhetorical features have not been studied, which has created a gap to fill by the researcher. Therefore, this research aims to study the rhetorical features in the Al-Ilory’s Maqamat. But, before delving in to the main discussion, the concept of Maqamat, its characteristics and elements would be discussed. Then a historical background of the author of Al-Ilory’s Maqamat would also be discussed.Item دور المسرحية العربية النيجيرية في مراقبة السياسة المالية في نيجيريا The Role of Nigerian arabic drama in monitoring financial policy in Nigeria(2024-06) Adetunji, I. أديتنجي ، عزالدينIt is no doubt that, the level of economic meltdown-cum- fluctuations faced by Nigerians today, arose as a result of the poor implementation and control of effective financial policy. Succinctly, the strenuous and overarching efforts of Nigerian scholars in supplementing government’s efforts by providing lasting solutions to this economic menace through the production of literary works addressing socio-economic challenges in Nigeria are in vain. Therefore, this paper aimed to explore the role of Arabic drama in contributing to financial policy in Nigeria. The paper discussed the concept and rationale for Arabic drama in Arabic literature. Likewise, the genesis and development of Arabic drama in Nigeria were examined. Also, the concept of financial policy, its objectives and development were discussed. The role of financial policy in the development of economic activities in the country was also illustrated. Negative effects of non-implementation of good financial policy in the development of Nigeria economy was enumerated through the selected Nigeria Arabic drama texts understudy.Item نعمى " نمذوجا الشعر القصصي في كتاب خلجات ونبضات لإبراهيم سعيد أحمد الغنمبري : قصيدة " مجنون Arabic narrative poetry in Ibrahim Sa’id Ahmad Gambari’s Khalijat Wannabdat’s book: Majnun Nu’umah poetry as a paradigm(2024) Adetunji, I.Despite the quantum commitments and immense contributions of Nigerian Arabic poets into Arabic literary genres, led to the production of their anthologies in different themes and styles. Arabic narrative poetry has not been favourably received the great attentions of Nigerian Arabic scholars like other genres. Therefore, Al-Khalijat Wanabdat of Ibrahim Sa’id Ahmad Gambari is to be examined by looking at the concept of Arabic Narrative Poetry and its rationale in Arabic literary heritage. Likewise, the emergence of Arabic Narrative Poetry in Nigerian Authorship and how it is specially explored in Ibrahim Sa 'id Ahmad Gambari’s poetry would be discussed.Item Of societal depravity: existentialism, realism and contrapuntal criticism in Nigerian arabic poetry: Ibn Yusuf’s anthology as a paradigm(Arabic & Islamic Studies units of the Lagos State University, Ojo, Lagos., 2023-06)The intrinsic nexus between man and society is apparently oblivious and impervious to many people despite the huge quantum that circumvented its basic responsibilities and immense rotes in society. The paradoxical attitudes of man in engaging in social vices and illicit characters have given birth to decay in society. However, social change or sociocultural evolutions might be necessary to restore normalcy and social Order. Nigerian Arabic poets since the 19th Century have engaged in utilizing their poems for social change through socio-cultural, religious-economic, scientific or technological forces. The theoretical framework in this paper will be examined through the Heraclitan model, which is parallel to that of a living organism. That is, in Order to remain alive, there must be constant changes. A Contemporary application of this approach is shown in the social- change theory called seed-scale, which builds up the complexity theory as a subfield of emergence. Therefore, the thrust of this paper is to examine the societal depravity as elucidated in Ibn Yusufs anthology and proffers a contrapuntal criticism of it. Before delving into the main discussion, the paper examines the concepts of existentialism and realism as a philosophical interface. Likewise, the issues of man and social change and an Overview of Nigerian Arabic poetry are discussed. Ibn Yusufs biography, scholarship and the review of his anthology are also studied. The paper concludes by critically examining contrapuntal criticism of societal depravity through Ibn Yusufs anthology.Item Arabic manuscript collections at the University of Ibadan(The Islamic Manuscript Association in association with Bibliotheca Alexandrina, 2023) Oladosu, A. A.; Adetunji, I.Item ظاهرة الرثاء المدني في الأدب العربي النيجيري The phenomenon of rithau-madany: civil elegy in Nigerian arabic literature(Department of French, College of Humanit1es & Culture (Ikire Campus), Osun State University, Osogbo, 2020-06) Adetunji, I. أديتنجي ، عزالدينPerhaps, the nature of the political fluctuations that swept over Abbasid era which led to destruction and devastation of the cities has led to the emergence of the literary genre known as Rilhau-l-Madani”.i.e Civil Elegy in Arabic literature. Some scholars have given this genre of poetry other names like; poetry of calamities and disasters, sad poetry, as well as national poetry. This type of poetry is different from the well-known elegiac poetry of the pre-Islamic era. Elegy as one of the most basic themes of pre-Islamic poetry featured wailing about the dead, or the sound of speech coming out while weeping over the loss of the dead The pre-Islamic poets lamented the loss of their loved ones in wars, by mentioning their sterling qualities, attributes and high places with warm weeping over them, urging the tribe to take revenge, as it was recorded down between Al- Khansa in the threndy on her brother Sakhir and others. However, the civil elegy is a nascent of Abbasid era, even if its activities, characteristics and features have not developed as an independent literary genre till Andalusian era, which was occasioned by the nature of the political crises between the Christians and the Muslims. Civil elegy also has to do with lamentation that accompanied the fall of Islamic cities, the setbacks and defeats suffered by the Muslims in those countries, which led to vandalism, destruction, murder, expulsion and others. It is noteworthy to state succinctly that Nigeria is an Arabized Islamic country, whose people have been taking refuge in Arab and Islamic cultures for a long time, and they have succeeded in composing the verses and producing anthologies. Despite their linguistic affinities, familiarities, and intellectual prowess with Arabic poetry, themes and its branches of knowledge, the phenomenon of civil elegiac poetry has not featured in their poetry till twentieth and twenty-first centuries due to political unrest and religious extremism that led to the destruction, devastation, murder, destruction and expulsion of Nigerian citizens from their homes. Therefore, this research aims to study the phenomenon and trend of civil elegy in Nigerian Arabic poetry. Before delving into the point of discussion, the research will examine the concept of elegy and its characteristics throughout the Arab literary eras. Also, it will discuss the principles of civil elegy in the Arab literary heritage, its importance, characteristics, factors of its spread and its examples would be discussed. Likewise, the paper would explain the Position of civil elegiac poetry in Nigerian Arabic Poetry.Item Arabized nations and the culture of translation: an analytical study of novels translated into arabic language. الأمم المستعربة وثقافة الترجمة : دراسة تحليلية للروايات اليورباوية المترجمة إلى العربية .(Department of Arabic and Islamic Studies, University of Ibadan, 2020-05)